Archive for October, 2007

05
Oct
07

Colours and their Properties

Black is formal, conventional, and dignified. In ancient Egypt, it symbolised night, death, and magic; it was the opposite of green, the colour of life.
White is precise, critical, and sincere. In Egypt, it symbolised purity, femininity, and the Moon, contrasting with the masculine red.
Red is active, daring, passionate, and optimistic. It enhances alertness and encourages activity. Goethe held red to be the most intense colour, the furthest from both black and white, and it is noteworthy that those languages which only have words for three basic colours always select black, white, and red. In Egypt, red symbolised masculinity, life, and warmth, but also danger. It was the opposite of the feminine white: this can be seen in Egyptian art, where the women are white and the men brown (which was considered a shade of red). Pink is milder and more affectionate than red, feminine rather than masculine; it is good for comfort and healing.
Orange is more ambitious and self-sufficient than red, and lacks its warmth; it has the intelligence of yellow without its loftiness. It is used therapeutically to bring joy and heal grief.
Yellow is intellectual and communicative. It is used to produce detachment and reduce depression. Goethe observed that yellow was the most positive of colours, the opposite of blue, and the closest to pure light. In Egypt, it symbolised the Sun.
Green is healing, sympathetic, steadfast, and restrained. In the environment, it reduces stress and movement. Goethe observed that green is soothing because it balances the positive yellow and the negative blue. In Egypt, green symbolised life, growth, and rebirth; it was opposed to black, the colour of death.
Cyan (or turquoise) combines the effects of green and blue. It is charming but self-absorbed; it enhances self-confidence, calms and refreshes.
Blue is idealistic, rational, honest, and tranquil. Goethe observed blue to be the most negative colour, the closest colour to black. Many languages do not distinguish between blue and green: in Egypt, light blue was considered green and dark blue, black. Light blue is more spiritual, dark blue more sociable.
Purple (or violet) is grand, idealistic, and sensitive, but may lack self-criticism and maturity. Goethe considered this to be a disturbing colour, balanced uncertainly between the positive red and the negative blue. In most languages, violet is called blue: “roses are red, violets are blue”. Lavender is lighter and more feminine, conveying dignity and encouraging reflection.
Magenta (or crimson) is less aggressive and more spiritual than red, more practical than purple. It is optimistic, volatile, and affectionate, producing feelings of contentment and self-respect.
Brown is the warm neutral colour; many languages identify it with red. It is practical, earthy, obstinate, and conscientious.
Grey is the cold neutral colour; many languages identify it with blue or green. It is calming, but may convey uncertainty and lack of commitment; silver is nobler and more spiritual.

Those information are taken from about.com, have a look at their theory of colors!

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04
Oct
07

JamesClar.com “Dynomite”

This is a very tacky version of the product that we want to make. We want to have a microphone as interaction and use different lights that turn on and display different forms. The sound input tunes into colors and forms.

04
Oct
07

Sounds like Light, Lights like Sound – documentation

01
Oct
07

Philips interactive lights 01